Paul COLANGE - x2 Compound Slider - UGC
A film crew manually pushes a large cinema camera rig back and forth along a compound slider on a patterned rug.
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A film crew manually pushes a large cinema camera rig back and forth along a compound slider on a patterned rug.
A professional film camera sits on a slider and tripod setup on a sunny Parisian rooftop overlooking the Eiffel Tower.
The Redback bounced, when you need that perfect interview lighting without a zillion c-stands and bounces! One Redback, bounced into the 7-foot umbrella. That classic spider wrap. 🕷️ 🖤 📸 : Champion Mindset DP: @maarrefox
A camera operator adjusts an ARRI cinema camera mounted on a geared head and compound slider in a studio.
Con una slider ajustamos rápido #hudsonspider #griprigs #filmmakers
A large octagonal lighting fixture illuminates a dimly lit living room featuring a decorated Christmas tree and sheer curtains.
A multi-camera interview setup in a modern living room features three people conversing under a large overhead parabolic light.
A wide shot and two close-ups show two men recording a podcast with microphones under a large overhead octagonal light modifier.
A large Redback lighting fixture with a silver umbrella bounce is mounted on a stand inside a room with a wooden ceiling, positioned above a smaller hard light.
A professional cinema camera rig is positioned in a room with a brick wall and wooden ceiling, with a large Redback light bouncing into a silver umbrella in the background.
Omni swivel Hoist Ring. Eye bolts are static and have limited movements our Omni Swivel plate feature 360 degrees rotation and a 180 degree piloting bail. The safest eye bolt alternative for professional production. 🕷️
The x2 Slider, now in stock at @berkana.producciones Mexico City. Get it. 🇲🇽 📷 @_arturoppp_
A crew member in a black shirt observes a studio set featuring a red curtain backdrop, a white counter, and multiple lighting fixtures including a large overhead modifier and black flags.
The camera pans across a bedroom film set, revealing crew members, a camera mounted on a dolly, and a large octagonal lighting fixture hanging above a bed.

UGC image submitted for review. visual analysis unavailable. submitted by DP. location: Horror Anthology Feature Film in Baltimore, Horror Feature Film in Kansas City, Corporate Interview, Commercial for Oishii Berry.

UGC image submitted for review. visual analysis unavailable. submitted by DP. location: Horror Anthology Feature Film in Baltimore, Horror Feature Film in Kansas City, Corporate Interview, Commercial for Oishii Berry.

UGC image submitted for review. visual analysis unavailable. submitted by DP. location: Horror Anthology Feature Film in Baltimore, Horror Feature Film in Kansas City, Corporate Interview, Commercial for Oishii Berry.
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Video asset. Working title: Fixed. Auto-generated descriptors from upload ingest.
Raw Redback. No diffusion, no softbox, no umbrella. The skin reads alive. Soft enough to wrap, direct enough to give you the specular you actually want on a face. Most LEDs make you choose. This one doesn’t. 🕷️🖤 Got Hudson on set this week? Send us your BTS at upload.hudsonspider.com. Stickers, hats, the occasional surprise, plus feature placement for the strongest shots.
One slider that does the job of three. The x2 converts from a 2-foot rail to a 4-foot move at the flick of a switch. No flex, no end supports, no rebuilding the rig between shots. Buy one, retire the others. 🕷️🖤 Got Hudson on set this week? Send us your BTS at upload.hudsonspider.com. Stickers, hats, the occasional surprise, plus feature placement for the strongest shots.
“Just added this beautiful piece of machinery to my arsenal.” @bigpaulyfilms San Francisco Dolly Grip Pauly Harper picks up the x2 Slider. Two-foot footprint, four-foot move. We make one slider. The one we’d buy. 🕷️🖤 Pauly bought the gear and posted the proof. Same energy welcome at upload.hudsonspider.com. Stickers, hats, the occasional surprise, plus feature placement for the strongest shots.
2-foot footprint. 4-foot move. Keeps the room clear to think. 🕷️🖤 🎥 DP: Tim Hudson Got Hudson on set this week? Send us your BTS at upload.hudsonspider.com. Stickers, hats, the occasional surprise, plus feature placement for the strongest shots.
Bruno Mars. Look at the catch light in his glasses. That’s a raw Redback doing the key. 🕷️🖤 Silk Sonic, “Leave The Door Open” (@brunomars + @andersonpaak) 🎥 DP: @toddbanhazl 💡 Gaffer: @fablighting + @noahshain 🎬 ACs: @caitwithacamera + @m.mckaytodd 🎥 Steadi: Chris Cunningham 👊 @seanhhunt 🎥 @camtec_official Got Hudson on set this week? Send us the on-set photo your phone already has: upload.hudsonspider.com.